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"Well, I wasn't exactly born so," explains Mr. Darling, frankly; "Oliver is my name. I rather fancy my own name, do you know; it is uncommon, at all events. One don't hear it called round every corner, and it reminds one of that 'bold bad man' the Protector. But they shouldn't have left out the Cromwell. That would have been a finishing stroke. To hear one's self announced as Oliver Cromwell Darling in a public room would have been as good as a small fortune.",

"Poor soul! poor soul!" says Mona, brokenly; then she drops her hand, and the woman, turning again to the lifeless body, as though in the poor cold clay lies her only solace, lets her head fall forward upon it.,

"Well, as I say, I shall soon," returns Mona, brightening, "because Geoffrey has promised to teach me.",

And so matters stood when Mona came to the Towers.

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As for the Australian, he has grown pale indeed, but is quite self-possessed, and the usual insolent line round his mouth has deepened. The dogs have by no means relaxed their vigil, but still crouch before him, ready for their deadly spring at any moment. It is a picture, almost a lifeless one, so motionless are all those that help to form it. The fading fire, the brilliant lamp, the open window with the sullen night beyond, Paul Rodney standing upon the hearthrug with folded arms, his dark insolent face lighted up with the excitement of what is yet to come, gazing defiantly at his cousin, who is staring back at him, pale but determined. And then Mona, in her soft white gown, somewhat in the foreground, with one arm (from which the loose sleeve of the dressing-gown has fallen back, leaving the fair rounded flesh to be seen) thrown around her husband's neck, is watching Rodney with an expression on her face that is half haughtiness, half nervous dread. Her hair has loosened, and is rippling over her shoulders, and down far below her waist; with her disengaged hand she is holding it back from her ear, hardly knowing how picturesque and striking is her attitude, and how it betrays each perfect curve of her lovely figure.,

"This is nicer than anything," she says, turning in a state of childish enthusiasm to Lady Lilias. "It is just like the floor in my uncle's house at home.",

Of Violet Mansergh—who is still at the Towers, her father being abroad and Lady Rodney very desirous of having her with her—she knows little. Violet is cold, but quite civil, as Englishwomen will be until they know you. She is, besides, somewhat prejudiced against Mona, because—being honest herself—she has believed all the false tales told her of the Irish girl. These silly tales, in spite of her belief in her own independence of thought, weigh upon her; and so she draws back from Mona, and speaks little to her, and then of only ordinary topics, while the poor child is pining for some woman to whom she can open her mind and whom she may count as an honest friend "For talking with a friend," says Addison, "is nothing else but thinking aloud.",

To gain Lady Rodney's friendship is a more difficult thing than Mona in her ignorance had imagined, and she is determined to be ice itself to her poor little guest. As for her love, when first Mona's eyes lit upon her she abandoned all hope of ever gaining that.